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Nanci Griffith - The Last of the True Believers album cover | |||||||||||||||
The Last of the True Believers is singer-songwriter Nanci Griffith's fourth album, and her last with the folk music-oriented Philo Records. The acclaim accorded her from her previous Once in a Very Blue Moon and the current album would gain her a contract with a major recording company after this album. Here, Griffith continues her turn toward a more country-oriented work than her first two albums, which were primarily folk-sounding. One highlight is Mark O'Connor's fiddle playing throughout the album. Although Griffith would later get a major label contract, many of her fans believe that this album is the best of her career.
The photograph on the album cover contains several references to the album's songs. A couple can be seen behind Griffith dancing in front of a Woolworth's store as described in "Love at the Five and Dime." The male dancer is Lyle Lovett who also appears on the album as a vocalist. Another couple can is apparently acting out a scene from "Lookin' for the Time" as the man, John T. Davis, a journalist and music historian, is pointing at his empty wrist. As with other Nanci Griffith albums she is pictured holding books by and/or about southern writers. On the front cover she is holding a copy of The Kindness of Strangers: The Life of Tennessee Williams by Donald Spoto. On the album's back cover she is clutching Lonesome Dove by Larry McMurtry. Track listing: 1. "The Last of the True Believers" (Nanci Griffith) - 2:47 2. "Love at the Five and Dime" (Nanci Griffith) - 4:33 3. "St. Olav's Gate" (Tom Russell) - 3:03 4. "More Than a Whisper" (Nanci Griffith/Bobby Nelson) - 3:42 5. "Banks of the Pontchartrain" (Nanci Griffith) - 3:39 6. "Lookin' for the Time (Workin' Girl)" (Nanci Griffith) - 2:43 7. "Goin' Gone" (Patrick Alger/Bill Dale/Fred Koller) - 4:19 8. "One of These Days" (Nanci Griffith) - 2:54 9. "Love's Found a Shoulder" (Nanci Griffith) - 2:19 10. "Fly by Night" (Nanci Griffith) - 2:36 11. "The Wing and the Wheel" (Nanci Griffith) - 2:41 | |||||||||||||||
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